Arts and Humanities · Research topic

Open research questions in Renaissance and Early Modern Studies

28 unresolved questions extracted from the limitations and future-work sections of 3,376 Renaissance and Early Modern Studies papers in our library. Each links back to the study that raised it.

What the literature leaves open

  • From the anxieties about mechanised men and women in Massimo Bontempelli's Minnie la candida (1927), to Primo Levi's probing of the golem myth in “Il servo,” twentieth-century Italian literature offers a Rich, if underexplored, array of cyborg characters which both echo those to be found in Anglophone texts and can be been seen to embody and exemplify concerns emanating from a specifically Italian cultural context.

    Creating the Ideal Posthuman Body? Cyborg Sex and Gender in the Work of Buzzati, Vacca, and Ammaniti · 2023 · DOI
  • In the study in 1979, no typological distinction was made among the portraits of Domitia Longina and Domitia Longina portraits were limited to the Flavian Dynasty.

    A NEW PERIOD PROPOSAL FOR PUBLISHED FEMALE PORTRAIT · 2021 · DOI
  • The patron has not been documented, but by 1603 the set was already included in an inventory of the collection of Francisco Gómez de Sandoval y Rojas, 5th marquis of Denia and 1st duke of Lerma (1553–1625), and his wife, Catalina de la Cerda, daughter of the 4th duke of Medinaceli.

    Collecting Sixteenth-Century Tapestries in Twentieth-Century America: The Blumenthals and Jacques Seligmann · 2015 · DOI
  • Disruption in today’s world seems to spring from several sources—economic and financial disruptions such as those that have spread across Europe; pitched battles between forces demanding change and those desperate to hold onto a status quo of repression and autocracy; and above all, fear that their nation or their community is insufficiently isolated from or inoculated against the forces of chaos and uncertainty.

    … for the Sake of Change · 2012 · DOI
  • This rewriting process has naturally attracted the attention of critics and scholars, but the value of much of their discussion has been limited by an inadequate view of the publication history of the novel, caused in part by the difficulty one inevitably experiences in obtaining copies of texts which were printed in short runs and in cheap editions, and were not collected by Italian libraries.

    IGNAZIO SILONE AND<i>IL RISVEGLIO</i>: THE I945 VERSION OF SILONE'S<i>FONTAMARA</i> · 1996 · DOI
  • 108 are to be understood, and in particular no consensus on what is signified by the descriptive phrase referring to the river, ‘onde/ove 'l mar non ha vanto’.

    ‘SU LA FIUMANA ONDE 'L MAR NON HA VANTO’<i>INFERNO</i>II.108: A CONTINUING CRUX · 1994 · DOI
  • 73 [March-April 1988]: 318-320), I expressed the wish that in the future the Center of Asia Minor Studies might "offer us additional studies on Solomos from Octave Merlier's unpublished papers, prepared with the same exemplary care.

    Solomos et Origène suivi de deux autres essais (review) · 1992 · DOI
  • Professor Aquilecchia's arguments, very difficult to dismiss in themselves, perhaps await corroboration from further research on the precise political stance of the Intronati in the early 1530S (which mayor may not tally with the probable pro-Medici views of the putative authors): such research is proceeding apace, though it has so far borne more fruit in relation to slightly later periods, where the evidence is more plentiful.

    <i>GLI INGANNATI</i>AS A TEXT FOR PERFORMANCE · 1982 · DOI
  • From Sforza’s perspective (whose response to Botta’s report remains unknown), Botta’s enterprise was acceptable (he did not “recall” Botta).

    Sabotaj al cruciadei antiotomane sau necesitate politică italiană? Un raport al lui Leonardo Botta din 27 iulie 1475 · 2024 · DOI
  • He was not characterized by steadiness of views, first a supporter of the superiority of the council over the pope, with time he changed his mind and recognized the primacy of the popes.

    Aeneas Sylvius Piccolomini and Women · 2023 · DOI
  • The article is devoted to little known and rarely appreciated late-Baroque Dominican Jan Alan Bardziński who was a keen preacher and translator of both secular and religious texts.

    The Oeuvre of Jan Alan Bardziński – a Dominican, Preacher and Translator · 2020 · DOI
  • The present study focuses on the Della Robbia frames created for the altarpieces in the Marche – a largely understudied region of the Italian peninsula.

    Incorruptible Nature: The Della Robbia Frames in the Marche · 2020 · DOI
  • When he does venture into this territory by quoting brief paragraphs from Andrić’s works — which are intended to shed light on his life — the results are mixed, and some instances of this process are more convincing than others.

    A Character Trait, or a Political Commitment? · 2020 · DOI
  • Not much is known about its author, a certain ‘Horatio Fusco Monfloreo d’Arimini’, which is why some scholars have speculated that, in the light of the pro-women ideas it contains, La vedova might have been written by a woman.

    WIDOWHOOD AND CONDUCT IN LATE SIXTEENTH-CENTURY ITALY: THE ‘UNUSUAL’ CASE OF<i>LA VEDOVA DEL FUSCO</i>(1570) · 2015 · DOI
  • 1 Yet its very existence remains to be argued for and demonstrated—or rather, inaugurated as an opportunity to ask different questions about art and about psychoanalysis itself.

    The Italian Turn: A Certain Tendency in Contemporary Psychoanalytic Aesthetics · 2013 · DOI
  • More than forty operas have been written that are derived from the Beaumarchais trilogy or its characters, but this study is limited to the consideration of five operas.

    Realizing Rosina: Operatic Characterizations of Beaumarchais's Heroine · 2012
  • Little is known about the man; he moved between many cities, from Turin, Milan, and Venice to as far south as Naples, and he may have been a secretary.

    A Scribal Publisher of Political Information: Francesco Marcaldi · 2009 · DOI
  • In its turn this is unlike the general eulogizing tenor of the anonymous writer of the Uomini singhularii in firenze whose critical vocabulary seems to be limited to the single term, maraviglioso.

    GIOVANNI RUCELLAI'S COMMENTS ON ART AND ARCHITECTURE · 1996 · DOI
  • Adorno was one of the keynote speakers; I delivered a lecture on Lukács's The Specificity of the Aesthetic, which then was still not well known.

    Lukacs and the Holy Family · 1984 · DOI
  • Further, this phenomenon seems not to be limited to the seventeenth century, for it reappears once more in French realist art of the nineteenth century-in Courbet and Manet.

    Describe or Narrate? A Problem in Realistic Representation · 1976 · DOI
  • The diverse ways in which people have tried to make them into allegories, through reference to the Dying Prisoner in the Louvre, are scarcely convincing.

    Allegory and Symbolism in Italian Renaissance Painting · 1971 · DOI
  • But while the practical value of this algorithm is limited to the Italian language, its theoretical value is general because it introduces in syntax a concept similar in function to the syllabic unit of phonology.

    The study of old Italian at Utrecht: A progress report · 1969 · DOI
  • These interpretations strike us as silly because the analysts have their eyes-and noses-in their psychoanalytic guidebooks, and-unenlightened by the art historian or connoisseur-are talking to themselves in a language borrowed from Freud but not understood.

    The Method of Morelli and Its Relation To Freudian Psychoanalysis · 1969 · DOI
  • I have preferred to use for this survey only the Viaggio, rather than Brasca's diplomatic dispatches and letters as well, in order to have material limited to a single genre and to a single date.

    SANTO BRASCA: THE LANGUAGE OF HIS<i>VIAGGIO</i> · 1966 · DOI
  • In the early history of Roman civil procedure there is much that remains uncertain or obscure, and the inquirer must often be content with solutions which, on the evidence, are no more than probable.

    Bonae Fidei Iudicia · 1965 · DOI

Most-cited papers in Renaissance and Early Modern Studies

Most recent work

Find a gap in your own Renaissance and Early Modern Studies sub-topic

This page shows what the Renaissance and Early Modern Studies literature already flags as unresolved. To narrow it to your specific question, run the guided finder — it searches the gap library on demand and checks candidates against 250M+ OpenAlex works.

Open the Research Gap Finder →

Related topics in Arts and Humanities

28 open questions have been extracted from the limitations and future-work passages of 3,376 Renaissance and Early Modern Studies papers in our library. Each one below links back to the study that raised it, so you can read the original claim in context.

Tools for your next paper

Compare the categoryHonest roundups of the AI research tools, ours listed alongside the alternatives.

Command palette

Jump anywhere, run any action.