Arts and Humanities · Research topic

Open research questions in Creative Drama in Education

89 unresolved questions extracted from the limitations and future-work sections of 1,260 Creative Drama in Education papers in our library. Each links back to the study that raised it.

What the literature leaves open

  • Limitations in teacher training and resource availability constrain the implementation of the creative classroom approach. The lack of standardized and effective assessment methods poses a significant barrier to evaluating student progress. The pressure to perform well on standardized tests and exams often sidelines innovative teaching methods.

    The Creative Classroom: Integrating Art and Drama for Deeper Learning and Student Well-Being · 2026 · DOI
  • The lack of research on the creative classroom approach and its potential to support deeper learning and promote student well-being. The need for a more holistic and creative approach to learning in educational settings.

    The Creative Classroom: Integrating Art and Drama for Deeper Learning and Student Well-Being · 2026 · DOI
  • Economic deprivation, weak institutions, environmental shocks, and cultural barriers drive school dropout. Limited access to education and economic opportunities in the Haor regions. Vulnerability to flooding and seasonal hazards.

    Beyond the Floodwaters: Unraveling the Deep-Rooted Causes of Educational Exclusion in Haor Communities in Bangladesh · 2026 · DOI
  • The study identifies a gap in understanding the causes of primary school dropout in the Haor regions of Bangladesh. The study highlights the need to address economic deprivation, weak institutions, environmental shocks, and cultural barriers to support educational resilience.

    Beyond the Floodwaters: Unraveling the Deep-Rooted Causes of Educational Exclusion in Haor Communities in Bangladesh · 2026 · DOI
  • The paper identifies the challenge of promoting spontaneity and freedom of expression in drama education, - It highlights the challenge of balancing the need for structure and guidance with the need for autonomy and creativity

    Changes in thinking about drama in education · 1985 · DOI
  • The paper identifies a gap in the understanding of the evolution of drama in education, - It highlights the need for a more child-centered approach to drama education

    Changes in thinking about drama in education · 1985 · DOI
  • Inexperienced teachers may not be effective drama leaders. Departmentalized junior high schools may not be the best place to experiment with drama. Limited research on the relation between informal dramatics and growth in child language.

    The Relation Between Creative Drama and Oral Language Growth · 1985 · DOI
  • Further studies should use more experienced teachers to teach the experimental classes. Studies should explore the use of attitude inventories with teachers to measure their attitudes towards drama. Research should investigate the effectiveness of drama in different educational settings.

    The Relation Between Creative Drama and Oral Language Growth · 1985 · DOI
  • Emotionally disturbed adolescents have difficulty distinguishing fantasy from reality. There is a need for a therapeutic process to enhance their wellbeing.

    Exploring Drama With Emotionally Disturbed Adolescents · 1985 · DOI
  • The subjective nature of recognizing talent. The lack of certification or requirements for theatre/drama specialists. The limitations of the Renzulli Scales.

    Theatre Education for Gifted and Talented Students · 1982 · DOI
  • The lack of a systematic approach to identifying talent. The subjective nature of recognizing talent. The need for an instrument to aid in recognizing talent.

    Theatre Education for Gifted and Talented Students · 1982 · DOI
  • The paper identifies a gap in the understanding of how literature can be used to teach writing, - The paper seeks to address this gap by applying a critical-dialectical paradigm to the literary work

    Burke's Dramatism as a means of using literature to teach composition · 1979 · DOI
  • The traditional 'seated' method of teaching Shakespeare can be limiting and may not cater to the needs of all students. The paper mentions that some teachers are only too aware of the limitations of this situation, with bad readings by children and long 'flat' stretches of text producing uninterest or hostility.

    Teaching Shakespeare in the Secondary School · 1979 · DOI
  • Future research could explore the effectiveness of different approaches to teaching Shakespeare in secondary schools. It could also investigate the impact of using alternative methods such as discussion, essay-writing, and project-based learning on student engagement and understanding.

    Teaching Shakespeare in the Secondary School · 1979 · DOI
  • The current education system does not adequately develop creative thinking and imagination. There is a need for a new approach to education that focuses on these skills.

    Drama is Basic · 1979 · DOI
  • The paper identifies a gap in the way death is handled in modern society. The paper identifies a need for a teaching strategy to introduce a unit on death education.

    A Teaching Strategy on Tragedy · 1977 · DOI
  • There is a lack of emphasis on creative drama at the secondary level in the United States. The main thrust of creative drama in the United States has been at the elementary classroom level.

    Some approaches to creative drama at the secondary level in England · 1975 · DOI
  • The complexity of the relationship between literature and journalism. The need for more academic examination of literary journalism. The limitations of the GOSS method.

    Literary Journalism Deserves Greater Study in Classroom · 1974 · DOI
  • The paper identifies a lack of academic examination of literary journalism. The relationship between literature and journalism is complex and requires more study.

    Literary Journalism Deserves Greater Study in Classroom · 1974 · DOI
  • The paper identifies the challenge of underestimating the value of creative drama by limiting its scope to certain objectives. It also discusses the need for teachers to permit maximum latitude of imagination and expression while maintaining control.

    Cognitive development through creative dramatics · 1973 · DOI
  • The paper identifies a gap in the understanding of how creative dramatics can contribute to cognitive development beyond verbal fluency, spontaneity, and originality.

    Cognitive development through creative dramatics · 1973 · DOI
  • The paper identifies the problem of multi-purpose courses with multiple objectives. The paper notes that the educational goals for such courses are not customarily the same, similar, or even compatible.

    Drama and western culture: A strategy for organizing a multipurpose course · 1973 · DOI
  • The paper identifies a gap in the consideration of the political nature of teaching and learning. The author notes that the relationship between teaching and research is not always direct.

    The teaching of literature in the University: some problems · 1973 · DOI
  • Further studies on the importance of speech communication in education. Investigations into the effective integration of speech communication into the curriculum.

    Speech communication and the language arts · 1972 · DOI
  • The lack of change in instructional strategies and technologies in higher education. The limited implementation of new technology in colleges and universities.

    “The Learning Theatre”: Education for A.D. 2000 · 1972 · DOI

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89 open questions have been extracted from the limitations and future-work passages of 1,260 Creative Drama in Education papers in our library. Each one below links back to the study that raised it, so you can read the original claim in context.

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