Arts and Humanities · Research topic

Open research questions in Narrative Theory and Analysis

31 unresolved questions extracted from the limitations and future-work sections of 2,402 Narrative Theory and Analysis papers in our library. Each links back to the study that raised it.

What the literature leaves open

  • This report's limitations are not incidental; they define its status. n = 2: two scenes cannot validate a measure. Single rater: no inter-rater agreement exists yet. Judgment-dependent coding: several categories rest on the rater's judgment and are not yet shown to be reproducible. Unresolved dimensional problem: the formula is not yet dimensionally clean. Assumed reading rate: Scene B's score depends on an unverified WPM assumption. Selection: the two scenes were chosen by the author to contrast on specific dimensions; they are not a random sample of narrative texts. Stating these plainly is the point. A pilot that concealed them would be less useful, not more.

    Operationalizing Narrative Entropy (Sn): A Two-Scene Registered Pilot Report and Pre-Validation Protocol · 2026 · DOI
  • Future research could explore the application of UFTNA to these diverse narra- tive forms, potentially extending its scope to a more general theory of semiotic production and reception.

    Toward a Unified Field Theory of Narrative Agency: Reconstructing the Conceptual Foundations of Literary Ontologies · 2026 · DOI
  • Since our cognitive capacities for creating representations and drawing inferences involve the same processes for cognizing fiction and for mapping the real world, appealing to conventions is a hasty answer underneath which are hidden certain facts about human cognition: that in both cases the constructs tend to be similarly illusory and incoherent and that cognition itself tends to be messy and limited to the most important tasks at hand, guided by a narrowly understood practicality.

    Marvellous Cognition: Why Fictional Worlds Are Incoherent (And Why It’s Good) · 2025 · DOI
  • It favors exploring new relationships and identity positions, by breaking away, temporarily, from human-made, hierarchical systems of relationships, built on comparison, copying and competition, and by inviting experimentation and discovery of the ‘not yet known’ in a hierarchy flat, immersive, horizontally flowing process.

    Exploring ‘vibrant matter’ in animation making · 2020 · DOI
  • Abstract Although Christopher Nolan’s Memento (2000) has been the subject of numerous critical examinations, the unique manner in which the film’s reverse-chronological dramaturgy interweaves the spectators’ cognitive-analytical attempts to ensure causal-linear coherency together with a corporal-affective sensation of temporal loss remains underexplored.

    Memento and the Embodied Fabula: Narrative Comprehension Revisited · 2015 · DOI
  • On the other hand, numerous conversations at conferences and other anecdotal sources hint that the impact of budget cuts, the lack of evidence of effectiveness, and the time and resource intensive nature of the PDS might be leading toward stagnation or even decline.

    Finding Meaning in PDS Stories · 2010
  • This and maybe other objective the importance between that of the process of the action by duration, actions into account feature to the result of an action tenses, and for perfective of taking the probability probability is partly determined features we have not investigated.

    Time, tense and aspect · 1973 · DOI
  • Little is known, however, about how children’s comprehension of events relates to their interpretation of higher-level meanings, such as event causality and character development, which children’s films often convey through complex narrative strategies.

    Children’s comprehension of time and their interpretation of event relations in narrative film: the tangled case of flashbacks · 2025 · DOI
  • By filling in the gaps in the literature, this work advances knowledge about the multifaceted role manga plays in narrating historical events and capturing readers' attention through a dual-channel cognitive process.

    Exploring the Themes of Horrors of The War, Power and Hegemony in The Manga “Barefoot Gen Vol. 1” in the Light of Dual Coding Theory · 2024 · DOI
  • Abstract Thus far, few studies have investigated the evaluative points narrators may convey through the sequential features of reported exchanges in their stories.

    A different perspective on epistemics and deontics · 2024 · DOI
  • The second part argues that a Foucauldian genealogical approach to these stories is insufficient: necropolitical archives, when they testify to the work of power, remain incomplete at best and actively erase more often.

    Genealogies of Nothing: Enforced Disappearances, Fable Lives, and Archives in Erasure · 2023 · DOI
  • The presence of Derrida in the text is scarcely visible; yet it is Derrida, in dialogue with the late Ricoeur, that show us the way out from the autobiographical and identitary trap.

    Pomiędzy narracją a tożsamością. Meandry autobiografii · 2023 · DOI
  • The paper concludes that storytelling, far from being an embarrassment to New Area Studies, should be at the heart of its methodology and should be further examined in order to tell new stories and to tell them well.

    Not Only Rivers and Mountains: Why Story Matters in New Area Studies · 2021 · DOI
  • While the sensemaking literature includes multiple studies of stories and storytelling, no studies have explicitly examined the role of canonical stories in sensemaking.

    Ready the Canons: The Role of Canonical Stories in Organizational Sensemaking · 2020 · DOI
  • In the communal presentation of family narratives, territories of knowledge merge, shared events are illuminated from separate perspectives, gaps in knowledge are filled, and evaluations are enriched.

    The epistemics of narrative performance in conversation · 2020 · DOI
  • Perhaps due to Bolan’s own output being thus far relatively under-researched, Bowie’s relationship with him has also, until now, not been explored in scholarly depth.

    ‘Oh man, I need TV when I got T. Rex’: Bowie and Bolan’s otherworldly carnivalesque intermediality · 2019 · DOI
  • In the concluding part, some open questions in Tengelyi’s account of selfhood are addressed, such as the retrospective character of the narrative, the notion of action as adventure, and the role of the ethics of alterity in the philosophical analysis of personal identity.

    Experience beyond Storytelling: László Tengelyi on the Narrative Identity Debate · 2017 · DOI
  • But the archetype remains controversial as an explanation of recurrent motifs, as the existence of recurrent motifs does not prove that archetypes exist.

    Recurrent motifs as resonant attractor states in the narrative field: a testable model of archetype · 2013 · DOI
  • If the movement is growing despite a lack of strong research and theory, then we need to determine whether the growth is warranted or provides a strong evidential basis for continued support at a time of shrinking resources.

    Finding Meaning in PDS Stories · 2010
  • Scholes and Kellogg draw on their vast knowledge of Western literature to argue that the history of narrative is a long one and should not be limited to the study of that very recent invention, the novel.

    The Nature of Narrative (review) · 2009 · DOI
  • We propose that, similarly to what is done in other social and human sciences, conversational studies ought to take into consideration the description of events that are not fully known at the onset of narration and that are partially or entirely suggested by the narrators.

    Narratives in the workplace: Facts, fictions, and canonicity · 2008 · DOI
  • In this article, I draw on material from an interview in which the presence of contradictory data had surprising results, initially producing shock, but subsequently causing me to reflect on the ‘meaning’ inherent in these lapses of coherence.

    Unreliable narrators? ‘Inconsistency’ (and some inconstancy) in interviews · 2006 · DOI
  • 1 Though frequently assertedindeed it is something of a critical clich6 in some circles-this doctrine has to my knowledge rarely been examined in depth or pursued for nuance.

    Linearity and Its Discontents: Rethinking Narrative Form and Ideological Valence · 2000 · DOI
  • Narrative uses temporal order to organize information about events and to foster their understanding but is insufficiently systematic to substitute for sociological explanation.

    Narrative, Event-Structure Analysis, and Causal Interpretation in Historical Sociology · 1993 · DOI
  • If mythologizing disposition to find a timeless meaning in tales is insufficient, so too is assumption that Natty is a mimesis of a particular person.

    Cooper's Pathfinder: Revising Historical Understanding · 1992 · DOI

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31 open questions have been extracted from the limitations and future-work passages of 2,402 Narrative Theory and Analysis papers in our library. Each one below links back to the study that raised it, so you can read the original claim in context.

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